ナカムラマサ首 / ステンドグラス作家、画家
MASAKUBI NAKAMURA / STAINEDGLASS ARTIST AND PAINTER
1976 born in Hyogo, Japan. Living in Tokyo
1998 Kobe Design University Art Department of the video theater department dropout
2003 Tama Art University Department of the video theater department graduation
It is from the vicinity of the high school graduation until the 18-20-year-old position at the time of enrollment Kobe creating works using colored pencil and acrylic, based in local. Then, he dropped out of Kobe, spend to take a voluntary movie or the like to learn video production with a focus on film and the following year enrolled in the Tama Art University. After a while, including the psychobilly band from after graduation, it sends several years living with a focus on band activities. After quit the band, he joined in the stained glass design glass production company in Tokyo, engaged in the design glass production, including the stained glass. Trying to individual representation activities of retired in 2015, start the production of stained glass work and drawing work. Place an order production such as by taking advantage of its stained glass and drawing techniques in parallel personal work production and at the same time.
Currently, that when you produce a stained glass work, in the form of surrender to the light in order to spit on the outside while accompanied by a hopeful dramatized with great dramatic implications for basic consciousness on the inside of its own, stained glass is doing a production with the intent that it be specifically symbolized even while breaks the orthodox of the field of.
In the case of drawing the other hand, it was mainly a pencil, specializing in the work of the line of sight to submerge in his inside, continue to just transferred onto the paper the scenery drifting there as landscape painting, which last had a symbolic meaning It has become the content. For the stained glass work to decide in advance the composition and contents of relatively strict, of contradictory term drawing you do not know how we finished is what the author himself for those sections process is currently in their inner and outer It has become a Tedate for going to maintain the mental balance.
The work produced in this manner is meaningful as a group work as a space / time including the place of presentation and its period (it is included in the place and the person / person related to it) And what kind of way can you express expressions with a conscious approach that "obligate" what is obsessed with irregularities in yourself? It is producing while thinking such things.
2000 "Kyoto International Student Film Festival" recommended work 【CHON-NO-MA-NO-ORGAZM-GI】 (exhibition in the duo of director name of the "ISSUN MURA")
2013 "10th public offering stained glass art exhibition" prize 【ABARETAI-NO-YOKKYUU】
2016 "Kaya Art Competition 2016" Umeda printmaking workshop Award 【DECOMPOSITION PEEK】
2017 "Kaya Art Competition 2017" Kotobuki kogen shokuhin Award 【DELUSION】